This chambered hollow clay replica of a pre-Columbian whistling vessel bears the likenesses of a man and woman on its front chamber. Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres. Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, through one or more whistle holes. Exquisitely made. The whistle on this piece works with a strong sound. A functional musical instrument and a brilliant piece of art. Signed and dated by the artist. Made in Peru.
This chambered hollow clay replica of a pre-Columbian whistling vessel bears a zoomorphic form, Monkey, on its front chamber. Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres. Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, through one or more whistle holes. Exquisitely made. The whistle on this piece works with a strong sound. A functional musical instrument and a brilliant piece of art. Made in Peru.
Due to artists creative design the colors/design may vary. For example, the back may or may not be painted black, or slight changes in design across the top bar. These beautiful works of art are listed under their lead color category.
This dual-chambered hollow clay replica of a pre-Colombian Peruvian whistling vessel is fashioned in the form of a Sparrow. Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres.
Constructed of two chambers, as well as a system of air ducts and aqueducts. The vessel is filled partially with water, and when held and tipped it pushes the air outward to create melodic sounds, depending on the size and number of whistle holes. The whistle on this piece is functional with a strong sound. Please note that due to the handmade nature the color may vary. Exquisitely hand made in Peru.
This chambered hollow clay replica of a pre-Columbian whistling vessel bears a zoomorphic form on its front chamber which appears to be in a relaxing pose. Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres.
Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, through one or more whistle holes. The whistle on this piece works with a strong sound. Please note that due to the handmade nature the color may vary. A functional musical instrument and a brilliant piece of art. Exquisitely made in Peru.
This dual chambered hollow clay replica of a pre-Colombian whistling vessel bears an anthropomorphic form, likely a shaman, emptying a large vessel into a smaller container. Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres.
Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, depending on the size and number of whistle holes. The whistle on this piece works with a strong sound. A functional whistling vessel and a brilliant piece of art. Exquisitely made in Peru.
Replica of a double-bodied whistling vessel with a bridge handle from the Vicús culture that represents a howling fox. It has a reverberant chamber that emits the sharp A note, which simulates the howl of a fox or wolf when filling it halfway with water.
Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres. Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, through one or more whistle holes.
The whistle on this piece works with a strong sound. A functional musical instrument and a brilliant piece of art. Allow for slight variations.
This dual chambered hollow clay replica of a pre-Colombian Peruvian whistling vessel is fashioned in the form of a jaguar given the whiskers, nose, short ears and bared teeth. Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres.
Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, depending on the size and number of whistle holes. The whistle on this piece is functional with a strong sound. Exquisitely made in Peru.
This chambered hollow clay replica of a pre-Columbian whistling vessel bears the likenesses of two birds next to a painted nest on its front chamber. Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres. Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, through one or more whistle holes. Exquisitely made. The whistle on this piece works with a strong sound. A functional musical instrument and a brilliant piece of art. Signed and dated by the artist. Made in Peru.
This dual chambered hollow clay replica of a pre-Colombian Peruvian whistling vessel is fashioned in the form a hummingbird sitting atop two fish. Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres.
Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water and when held and tipped it pushes the air outward to create melodic sounds, depending on the size and number of whistle holes. The whistle on this piece is functional with a strong sound. Exquisitely made in Peru.
Pi Stones are symbolic of our luminous bodies and the energetic universe. Their circular shape represents the archetype for “wholeness.” They represent the ouroboros, a serpent of light, swallowing its own tail, constantly creating itself and forming a circle. They symbolize the eternal unity of all things, the cycle of life, death, and rebirth. The center represents our energetic spine, Kundalini energy, that flows through the center of our bodies. Kundalini energy is symbolic of our own spiraling DNA and is associated with the serpent of light coiled around the base of the spine (root chakra) approximately 3.142 times. When it is awakened, it spirals up your spine like a figure eight around each of your seven chakras, creating a never-ending loop and opening you to higher levels of consciousness.
Pi stones are typically gifted after receiving the last of the nine Munay Ki Rites. They are also used when passing the rites on to others. Although not essential, many Munay Ki recipients also like to have their own stones, as a reminder of the rites and as an aid in connecting with the energies.
Beautifully toned ocarina is round, hand made of clay and painted with the zoomorphic design of a jaguar. has a sweet sound. Ocarinas are a great instrument for beginners.
These ceramic polychrome vessel with a human face in high relief at the top of the neck. A dark, earthy red, flat base terminates abruptly in a brown ring and then gives way to a creamy color decorated with labyrinthine lines and a projecting human face below a slightly flared, rolled rim.
Shipibo vessels are visually distinctive and instantly recognizable, but they are also the result of a tempering technology that is millennia old and allowed them to create some of the largest, thinnest-walled vessels produced in the New World. For the Shipibo, pottery is distinctly female work.
Made by Shipibo women of the Amazon Jungle Rainforest.
These ceramic polychrome vessel with a human face in high relief at the top of the neck. A dark, earthy red, flat base terminates abruptly in a brown ring and then gives way to a creamy color decorated with labyrinthine lines and a projecting human face below a slightly flared, rolled rim. Shipibo vessels are visually distinctive and instantly recognizable, but they are also the result of a tempering technology that is millennia old and allowed them to create some of the largest, thinnest-walled vessels produced in the New World. Made by Shipibo women of the Amazon Jungle Rainforest.
Patterns and colors may slightly vary from photo due to handmade nature.
Our intricately hand carved, alabaster-like stone tile features the revered Incan animal totem Otorongo, the Jaguar. Orotongo is protected by 12 encircling symbols for the sacred mountains, or apus, and leaps in bas relief over other Andean symbols. Expertly carved by shamanic artists, Abelardo and Luz Marina in Peru.
For the Shipibo, pottery is distinctly female work. Quempo is how the Shipibo refers to this type of flaring bowl, also known in the jungle as mocahua. It is used to drink Masato, a thick, yucca-based drink, and for other fluids and therefore has external water-related motifs. The thin walls of this bowl are elegantly constructed so that the rim is narrower than the body.
A face is painted over slight protrusions of pottery for the eyes, nose, chin, and ears. Beautifully painted with fine Shipibo artistic patterns, typical of their work. Made by Shipibo women of Amazonia.
Due to the hand-painted nature of this product yours may vary slightly from photo.
Exquisitely hand-carved and beautifully rendered, our alabaster-like, egg-shaped stone represents the Andean feminine, Pachamama Herself, and teams with Andean totems and symbols, such as otorongo (jaguar), kuntur, (condor), amaru (serpent), chakana, (cross) among many others.
All eggs are unique. Your Pachamama egg may vary slightly from the photo shown. Comes in its own hand woven pouch. Your bag design & color may vary from photograph. Hand-carved in the Land of the Incas, Peru.
This chambered hollow clay replica of a pre-Columbian whistling vessel bears a zoomorphic form of a Sican eagle on its front chamber. Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres. Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, through one or more whistle holes. Exquisitely made. The whistle on this piece works with a strong sound. A functional musical instrument and a brilliant piece of art. Colors and hues can vary slightly. Made in Peru.
Replica of a double-bodied whistling vessel with a bridge handle from the Vicús culture that represents a happy fox sticking out its tongue as a sign of its happiness and satiety.
Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres. Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, through one or more whistle holes.
The whistle on this piece works with a strong sound. A functional musical instrument and a brilliant piece of art. Allow for slight variations.
This chambered hollow clay replica of a pre-Columbian whistling vessel bears the likeness of a bird, likely a parrot. Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres. Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, through one or more whistle holes. Exquisitely made. The whistle on this piece works with a strong sound. A functional musical instrument and a brilliant piece of art. Made in Peru.
Replica of a double-bodied whistling vessel with a bridge handle from the Vicús culture that represents a mummy whistling.It has a reverberant chamber that emits the notes RE and MI when filled halfway with water.
Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres. Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, through one or more whistle holes. Exquisitely made in Peru.
The whistle on this piece works with a strong sound. A functional musical instrument and a brilliant piece of art. Allow for slight variations in color.
Replica of a double-bodied whistling vessel with a bridge handle from the Vicús culture that represents a woman giving birth and holding her rounded belly with outstretched fingers, her navel sticking out and her legs bent, symbolizing the goddess of fertility. It has a reverberant chamber that emits the notes DO, MI and FA when filled halfway with water.
Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres. Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, through one or more whistle holes. Exquisitely made in Peru.
The whistle on this piece works with a strong sound. A functional musical instrument and a brilliant piece of art. Allow for slight variations.
This chambered hollow clay replica of a pre-Columbian whistling vessel bears the likeness of a partridge. Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres. Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, through one or more whistle holes. Exquisitely made. The whistle on this piece works with a strong sound. A functional musical instrument and a brilliant piece of art. Made in Peru.
Recreation of a double-bodied whistling vessel with a bridge handle based on the Inca style. It has a reverberant chamber that emits a sustained FA note when filled halfway with water. Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres. Constructed of two chambers, as well as a system of air ducts and aqueducts, the vessel is filled partially with water, and when held and tipped, pushes the air outward to create melodic sounds, through one or more whistle holes. Exquisitely made in Peru.
The whistle on this piece works with a strong sound. A functional musical instrument and a brilliant piece of art. The Kestrel's colors and artistic details can vary.
Hand made in Peru, this little whistle is modeled after larger Peruvian whistling vessels, known as huacos silbadors and used by curanderos on their healing altars, or mesas to call in the spirits. This eagle whistling vessel can chirp like a bird! Simply fill the piece with water in the hole at the top of the head and then blow through the hole in the tip of the tail. Hole in back of neck for your own cord. Perfect as a gift or as a decoration to tie onto a pretty package. Due to the handmade nature, slight color variation may occur.
This rattle features one of the symbols that represent the wind of the Mayan culture.
Made with natural products: Making a direct connection with each element. The jicaras (gourds) used are cut, cleaned inside to remove the seeds and boiled to harden. The wood used to make the handle of the rattle is collected in the jungle from a tree known as guayabillo (Spanish); pichi che 'macho (Mayan-Spanish); kabal sak lob che ', pichiche' (Mayan). The wooden handles of these shakers are said to make a connection and communicate with the divine. For the sound, seeds of a palm called platanillo are used and a quartz is added to always clean the energy. Leather fringe details. Sold individually.
This hand made clay ocarina bears an anthropomorphic form from Peruvian history. Sculpted by ethnomusicologist Jose Vitancio Humeres of Peru, it is a replica of an original design. "I think the sounds these instruments make were to create positive energy," says Vitancio Humeres. Constructed of two whistles two notes simultaneously creating a unique harmonic sound. Can be used to clear an energy field, healing work or shamanic trance. The whistle on this piece works with a strong sound. A functional whistling vessel and a brilliant piece of art. Made in Peru.
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